{"id":7314,"date":"2019-04-13T23:57:52","date_gmt":"2019-04-13T23:57:52","guid":{"rendered":"http:\/\/nyglamour.net\/?p=7314"},"modified":"2026-02-03T04:09:41","modified_gmt":"2026-02-03T04:09:41","slug":"i-didnt-believe-in-the-phantastical-hollywood-stories-about-how-a-director-discovered-an-actor-in-the-street-marieta-ca-ballero","status":"publish","type":"post","link":"https:\/\/nyglamour.net\/?p=7314","title":{"rendered":"\u201cI didn\u2019t believe in the phantastical Hollywood stories about how a director discovered an actor in the street\u201d- Marieta Ca-ballero"},"content":{"rendered":"\n<p><strong>Marieta was born in Madrid, Spain, where she is\ncurrently based. When she was 9 years old she spent a year in California, where\nshe learnt English. She later returned to study in the United States having\nreceived the ASSIST scholarship to attend The Lawrenceville School when she was\n17. <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>As a producer, Marieta has worked supporting online\ncontent creators and film directors. La Vieja, a short film by youtuber Rush\nSmith that she produced, currently has over 5 million views on the platform.\nShe became interested in the digital audiences and started a YouTube channel in\nEnglish called <\/strong><strong>\u201c<\/strong><strong>Eigengrau\nwhere she shares Making of content about her projects. <\/strong><strong>&nbsp;<\/strong><strong>Marieta\nalso hosts the Meeting de cine, a filmmaker<\/strong><strong>\u2019<\/strong><strong>s gathering\nin Spain to share projects, resources and contacts. She has also written (yet\nto be published) her first book <\/strong><strong>\u201cInstinto\nCineasta\u201d <\/strong><strong>that can be translated as <\/strong><strong>\u201c<\/strong><strong>Filmmaker<\/strong><strong>\u2019<\/strong><strong>s Instinct<\/strong><strong>\u201d <\/strong><strong>where\nshe gathers the experience of her first 5 years starting out in the industry in\nthe Spanish context, so that other filmmakers can learn how to build their own\ncommunity, find resources to shoot, and avoid being tricked in their first\nsteps in the professional world. <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>Exclusive Interview with Filmmaker Marieta Caballero<\/strong><\/p>\n\n\n\n<p><strong>NY\nGlam: Congratulations on being accepted at the prestigious International\nFilmmaker Festival of New York. Can you tell us about the film and the process\nof making it?<\/strong><\/p>\n\n\n\n<p><em>Emotional Disease is a story that taunts its viewers\ninto thinking about one question: can emotions be considered a disease and why?\n<\/em><em><\/em><\/p>\n\n\n\n<p><em>The fine line between healthy and sick is blurry, as\nit<\/em><em>\u2019<\/em><em>s the\ncollective imaginary who dictates how the concept is used and to what it is\napplied to. In different times and in different cultures, sick is attributed to\ndifferent things. In a society where productivity and economic growth seems to\nbe the goal, are emotions a liability? If so, should they be treated as a\ndisease? Parting from this concept, the story of Indigo and Atlas came to life.\n<\/em><em><\/em><\/p>\n\n\n\n<p><em>The film took a year to make. I wrote the screenplay\nin 3 days, but it wasn<\/em><em>\u2019<\/em><em>t\nuntil many months later, preparing the crowdfunding campaign, that I achieved\nthe 3000<\/em><em>\u20ac <\/em><em>necessary\nto make the film, thanks to 66 backers. Then it took about a month to\npreproduce, a 3 day shoot, and many many months of postproduction to complete. <\/em><em><\/em><\/p>\n\n\n\n<p><strong>NY\nGlam:<\/strong> <strong>How did you go about casting for\nthe film?<\/strong><\/p>\n\n\n\n<p><em>This is actually an interesting story. The moment I wrote Emotional Disease, I knew it wasn\u2019t going to be easy to make a short film in English in Madrid, as I would have less actors to choose from. I was lucky that Madrid is a very cosmopolitan city, with people coming and going from many places. For the male part, I put together auditions and when I saw Cai Pe\u00f1a, I knew he would be the one to play Atlas. But for Simone Gonzalez-Nagy, it was a very different case. Two weeks into looking for actors, all the actresses whose video books I was receiving didn\u2019t convince me. I walked into a Starbucks to have coffee and I saw her. I thought: wow, she really resembles the character I have in mind. She did look as a foreigner who would probably speak English, but I didn\u2019t believe in the phantastical Hollywood stories about how a director discovered an actor in the street. Yet I was so moved and motivated by finding my character that I went to talk to her. She turned out to be from the United States and accepted to audition for me. She sent me the best tape, and in the auditions she was by far the best actress for the part. It was pure coincidence, but I am very lucky to have had Simone play Indigo in Emotional Disease.<\/em><\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"http:\/\/nyglamour.net\/wp-content\/uploads\/2019\/04\/Marieta-2.-724x1024.jpg\" alt=\"\" data-id=\"7316\" data-link=\"http:\/\/nyglamour.net\/?attachment_id=7316\" class=\"wp-image-7316\" srcset=\"https:\/\/nyglamour.net\/wp-content\/uploads\/2019\/04\/Marieta-2.-724x1024.jpg 724w, https:\/\/nyglamour.net\/wp-content\/uploads\/2019\/04\/Marieta-2.-212x300.jpg 212w, https:\/\/nyglamour.net\/wp-content\/uploads\/2019\/04\/Marieta-2.-768x1086.jpg 768w, https:\/\/nyglamour.net\/wp-content\/uploads\/2019\/04\/Marieta-2.-696x984.jpg 696w, https:\/\/nyglamour.net\/wp-content\/uploads\/2019\/04\/Marieta-2.-1068x1510.jpg 1068w, https:\/\/nyglamour.net\/wp-content\/uploads\/2019\/04\/Marieta-2.-297x420.jpg 297w, https:\/\/nyglamour.net\/wp-content\/uploads\/2019\/04\/Marieta-2.-1920x2715.jpg 1920w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/figure><\/li><\/ul>\n\n\n\n<p><strong>NY\nGlam:<\/strong> <strong>What is the story about and how\ndid you achieve it cinematically?<\/strong><\/p>\n\n\n\n<p><em>Thirty years into the future, technology has evolved\nup to a point where uncertainty isn<\/em><em>\u2019<\/em><em>t\nan option. The only thing perturbing uncertainty are human emotions, and are,\nhereafter, taken to be a contagious disease to be eradicated.<\/em><em><\/em><\/p>\n\n\n\n<p><em>This is the story about a couple, Indigo and Atlas.\nWhat Indigo doesn<\/em><em>\u2019<\/em><em>t\nknow is that Atlas is infected by the Emotional Disease, in a personal struggle\nto conceal his symptoms.<\/em><br>\n<em>Watch the trailer here: <\/em><a href=\"https:\/\/www.youtube.com\/watch?v=Fv_awrprbj4\"><em>https:\/\/www.youtube.com\/watch?v=Fv_awrprbj4<\/em><\/a><em> <\/em><em><\/em><\/p>\n\n\n\n<p><em>Cinematically I decided not to take part in defending\none of the characters more than the other. Both main characters are deep and\nhave their own processes, yet they both live under the pressure of society\nsuffering from two different standpoints. With this approach, I let the\naudience judge upon themselves. <\/em><em><\/em><\/p>\n\n\n\n<p><strong>NY\nGlam: Will you be attending the IFFNY festival in New York in May?<\/strong><\/p>\n\n\n\n<p><em>Unfortunately I cannot, since I<\/em><em>\u2019<\/em><em>ll be\nattending another important personal commitment <\/em><em>during the same dates<\/em><em>.\n<\/em><em>But probably\nthe actress Simone Gonz\u00e1lez-Nagy, playing Indigo, will attend. I can\u2019t confirm\nfor sure, though. <\/em><em><\/em><\/p>\n\n\n\n<p><strong>NY\nGlam:<\/strong> <strong>How long have you been making\nfilms and videos?<\/strong> <\/p>\n\n\n\n<p><em>I didn\u2019t<\/em><em>\u2019<\/em><em>t\nstart out very young, because my family didn\u2019t<\/em><em>\u2019<\/em><em>t own a video\ncamera nor wanted to, nor a phone with a camera. When I was 13, I saved 100<\/em><em>\u20ac <\/em><em>to buy a\nsmall film camera that cam with a newspaper promotion. Although the camera had\na really really bad quality (I don<\/em><em>\u2019<\/em><em>t\nthink it could even shoot in HD), <\/em><em>it <\/em><em>motivated me\nto write a TV series and shoot the first two episodes with my friend Allie\nPremzic. It was very hard to do so because I had no one else to make it with,\nso we had to put effort into convincing my siblings to participate and keep\nthem happy in doing so. A year later I wrote a feature film with Allie. It was\nan 80 page screenplay in English. Since Allie lived in California, and I lived\nin Spain, we only had a time span of 1 month in the summer to shoot the whole\nfilm. The project <\/em><em>was\nnever completad<\/em><em>, but since then we had a good camera, I\nbegan to wonder why it was that it didn<\/em><em>\u2019<\/em><em>t look\ncinematic. I learned then what a shot is, since back then the only cuts in the\nmovie would be from scenario to scenario. <\/em><em><\/em><\/p>\n\n\n\n<p><em>But it was after taking a 2 week summer workshop for\nteens at the ECAM film school that I really began to see progress, a starting\npoint in my career. There, I met 5 other friends with whom I created a\nproduction association called Tuelf <\/em><em>&nbsp;<\/em><em>Productions.\nAt 16, we didn\u2019t<\/em><em>\u2019<\/em><em>t\nknow any other people at our age shooting shorts, and after many shorts, we got\nrecognition in our community the moment any other young aspiring filmmaker like\nus saw us work together and what we were achieving. We got many awards since\nour shorts were much better quality by far when compared to the rest in one of\nthe only short film festivals in Spain for filmmakers and students under 18.\nWith this we realized of our potential, and I think a lot of what I do and lots\nof the people I work with today are thanks to the collective effort we put into\nTuelf learning and filming together. <\/em><em><\/em><\/p>\n\n\n\n<p><strong>NY\nGlam:<\/strong> <strong>What film was your directorial\ndebut? <\/strong><\/p>\n\n\n\n<p><em>During the two years that I was actively making shorts\nwith Tuelf, it served as a hands on film school. The first short that I\ndirected on my own was called <\/em><em>\u201c<\/em><em>Discover\nYour Place in the World<\/em><em>\u201d<\/em><em>,\nbut it was more like a test for myself than anything else. I consider to be my\ndirectorial debut <\/em><em>\u201c<\/em><em>The\nCollection,<\/em><em>\u201d <\/em><em>because\nit resembles much more the workflow that I follow today, and the money invested\nand for the awards it achieved.<\/em><em><\/em><\/p>\n\n\n\n<p><em>The Collection was a short film inspired by a feature\nfilm with the same name that I wrote. It showed the story about a group of\nteenagers living under a totalitarian regime where culture is prohibited. One\nday, thanks to their curiosity and their teacher, they discover a hidden\nbasement where books, art, musical instrument, and other special things lay\nhidden, until they find them. This leads them to the question of whether they\nshould hide it and forget about it, or secretly share their discovery despite\nthe risk of getting killed. <\/em><em><\/em><\/p>\n\n\n\n<p><strong>NY\nGlam:<\/strong> <strong>What was the most important lesson\nyou had to learn that has had a positive effect on your film? How did that\nlesson happen?<\/strong><\/p>\n\n\n\n<p><em>Don<\/em><em>\u2019<\/em><em>t try to\nplease anyone when filming, trust your gut. Otherwise you<\/em><em>\u2019<\/em><em>ll be dissolved\nas a director because of trying to incorporate everybody<\/em><em>\u2019<\/em><em>s opinion.\nBut defend your vision, you need to gain the respect and confidence of your\ncrew. So I<\/em><em>\u2019<\/em><em>d\nsay primarily, choose a good team that you feel comfortable with if you can. <\/em><em><\/em><\/p>\n\n\n\n<p><em>When I was starting out, I was less experienced, so I\nhad less resources to defend my views when a crew member didn<\/em><em>\u2019<\/em><em>t want to\nlisten to me as a director. As it might still happen to me today, I know have\nresources to stop such attitude. Even so, I try to work with people whom I feel\ncomfortable with, as to avoid this happening. <\/em><em><\/em><\/p>\n\n\n\n<p><em>Also, finish your projects, even if you think they<\/em><em>\u2019<\/em><em>re not good\nenough. It<\/em><em>\u2019<\/em><em>s\nalways better to have something to show than nothing to show, even if it<\/em><em>\u2019<\/em><em>s not as good\nas you<\/em><em>\u2019<\/em><em>d\nhope for. Finishing is important. And when you go back to watching them years\nlater, you<\/em><em>\u2019<\/em><em>ll\nbe glad you did. <\/em><\/p>\n\n\n\n<p><strong>NY\nGlam:<\/strong> <strong>Is it harder to get started or to\nkeep going? What was the particular thing that you had to conquer to do either?<\/strong><\/p>\n\n\n\n<p><em>To me the hardest has been to get started. At first no\none believed in me. I think it<\/em><em>\u2019<\/em><em>s\nmuch easier if you have support from friends and family, which wasn<\/em><em>\u2019<\/em><em>t my case. I\nfirst had to show them that I could do it. Despite the painful experience of\ndirecting Discover your place in the world, it was worth it because it got my\nfamily to support me after seeing the result. <\/em><em><\/em><\/p>\n\n\n\n<p><em>Once I started out, to keep going was easier because I\nmade sure to become surrounded with a community of filmmakers to help each\nother. It is called Meeting de Cine. It is now easy for me to find the\nresources to make my shorts with many resources spending little money. If I\nneed more money, I also know how to find it now. <\/em><em>&nbsp;<\/em><em><\/em><\/p>\n\n\n\n<p><strong>NY\nGlam:<\/strong> <strong>How has your style evolved?<\/strong><\/p>\n\n\n\n<p><em>I think it<\/em><em>\u2019<\/em><em>s\ntoo early to see how my style has evolved. I have improved the technical\naspects, but the stories I like to talk about still revolve the same aspects:\nhow society shapes our conception of what reality is, and how to deal with it,\nfor the most part. <\/em><em><\/em><\/p>\n\n\n\n<p><strong>NY\nGlam:<\/strong> <strong>What has been your personal key to\nsuccess? <\/strong><\/p>\n\n\n\n<p><em>Creating a community of filmmakers to help each other.\n<\/em><em><\/em><\/p>\n\n\n\n<p><strong>NY\nGlam:<\/strong> <strong>What are you thinking about doing\nnext?<\/strong><\/p>\n\n\n\n<p><em>I would like to write, direct and produce branded\ncontent films. I already have experience in it, and have discovered I want to\ndo it more. <\/em><em><\/em><\/p>\n\n\n\n<p><em>I am also going to publish a book called Instinto\nCineasta <\/em><a href=\"http:\/\/www.instintocineasta.com\/\"><em>www.instintocineasta.com<\/em><\/a><em>\nwhich is a guide for filmmakers to jumpstart their careers with advice that you\ndon<\/em><em>\u2019<\/em><em>t learn in\nfilm school. <\/em><em><\/em><\/p>\n\n\n\n<p><strong>NY\nGlam:<\/strong> <strong>Where does your studio want to go\nfrom here? <\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p><em>My studio is Talkoo Films. It is a production company\naimed towards content creation for the digital audiences: branded content,\nshort promotional videos for social networks, commercials, etc. You can learn\nmore at<\/em><a href=\"http:\/\/www.talkoofilms.com\/\"><em> <\/em><em>www.talkoofilms.com<\/em><\/a><em>\nOur goal is to grow our company to be able to produce fictional feature films. <\/em><\/p>\n\n\n\n<p><strong>Marieta<\/strong><strong>\u2019<\/strong><strong>s social\nnetworks: <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>Personal website<\/strong>: <a href=\"http:\/\/www.instintocineasta.com\/\">www.instintocineasta.com<\/a>\n&nbsp;<\/p>\n\n\n\n<p><strong>Instagram:<\/strong>\n@marietaeigengrau <\/p>\n\n\n\n<p><strong>Twitter:<\/strong> @marieta_caba <\/p>\n\n\n\n<p><strong>Facebook:<\/strong> www.fb.com\/instintocineasta<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marieta was born in Madrid, Spain, where she is currently based. When she was 9 years old she spent a year in California, where she learnt English. She later returned to study in the United States having received the ASSIST scholarship to attend The Lawrenceville School when she was 17. As a producer, Marieta has [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7315,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-7314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film"],"_links":{"self":[{"href":"https:\/\/nyglamour.net\/index.php?rest_route=\/wp\/v2\/posts\/7314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nyglamour.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nyglamour.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nyglamour.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nyglamour.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7314"}],"version-history":[{"count":1,"href":"https:\/\/nyglamour.net\/index.php?rest_route=\/wp\/v2\/posts\/7314\/revisions"}],"predecessor-version":[{"id":19389,"href":"https:\/\/nyglamour.net\/index.php?rest_route=\/wp\/v2\/posts\/7314\/revisions\/19389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nyglamour.net\/index.php?rest_route=\/wp\/v2\/media\/7315"}],"wp:attachment":[{"href":"https:\/\/nyglamour.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nyglamour.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nyglamour.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}